CineForm goes CS5 Support (and let CS4 dust)

Adobe After Effects, Adobe Premiere, Apple Final Cut Pro, Avid, Canon 1D Mark IV, Canon 5D Mark 2, Canon 5D Mark 2 Video, Canon EOS 7D, CineDDR, CineForm, CineForm Prospect 4K, CineForm Prospect HD, Neo 3D, StrongMocha, canon 7D, neoscene by Thorsten Meyer on January 20, 2010 No Comments »

CineForm customers who plan to use Adobe CS5 products should get improved support with their Prospect HD/4K software. While the CS4 support has a been behind the expected support CineForm does plan to to ship Version 5 CineForm products for CS5 at the time Adobe ships CS5. CineForm may also include new features  in their CS5 version. According to CineForm all Prospect HD/4K customers will receive a no-charge CineForm upgrade to the full version of our Version 5 product for compatibility with CS5 and anybody that purchases Prospect HD/4K v4 from now on will also get this free upgrade. Details of the v5 features are not available yet. Cineform seemed to have already begun working on the integraton of their products in CS5 aftert he CS5 SDK has been released.

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Evian Roller Babies

Ad, Apple Final Cut Pro by Thorsten Meyer on July 31, 2009 No Comments »

Evian Roller Babies

Michael Gracey has directed Evian‘s latest commercial ‘Skating Babies,’ a multi-national campaign bringing together choreographed roller-skating babies and the re-mixed street sound of The Sugar Hill Gang’s Rapper’s Delight. The Moving Picture Company was involved from pre-production, creating pre-vis based on Michael’s supplied story board to aid the development of the scenes.

Credits

Director: Michael Gracey
Agency: BETC
Agency Producer: Fabrice Brovelli
Creative: Agnes Cavard & Valerie Chidlovsky
DoP: Alex Barber and Greg Fraser
Production Company: Partizan Midi Minuit
Executive Producer: Jaques Etienne Stein
Post Supervisor: Rahel Makonnen
Editor: Ben Harrex@ Final Cut

Evian Roller Babies

Post Production Company: MPC
Executive Post Producer: Vittorio Giannini
Post Producer: Paul Branch,
VFX Supervisors: Dean Robinson and Ludo Fealy
3D VFX Team: James Bailey, Anthony Bloor, Ross Denner, Ali Dixon, Daniel Elliott, Ahmed Gharraph, Andreas Graichen, Lewis Guarniere, Mark Harrison, Robert Hesketh, Jake Mengers, Alexandre Millet, Jorge Montiel, Jordi Onate, Vicky Osborn, Emanuele Pavarotti, Simon Payne, Dean Robinson, Wayne Simmons, Charlotte Tyson, Grant Walker
2D VFX Team: Dan Adams, Chrys Aldred, Mark Beardall, Mike Brazelton, Kelly Bruce, Stuart Bullen, Hayley Collins, Miodrag Colombo, Ludo Fealy, Olivier Jezequel, Vaibhav Marathe, Alasdair McNeill, Mikael Pettersson, Yourick Van Impe
Telecine: Paul Harrison and Jean-Clement Soret

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Final Cut Studio updated with More Than 100 New Features

Apple Color 1.5, Apple Compressor 3.5, Apple Final Cut Pro, Apple Final Cut Pro 7, Apple Motion 4, Apple Soundtrack Pro 3 by Thorsten Meyer on July 23, 2009 No Comments »

Final Cut Studio

Apple® today announced a significant update to Final Cut Studio® with more than 100 new features and new versions of Final Cut Pro®, Motion, Soundtrack® Pro, Color and Compressor. Final Cut Studio features Final Cut Pro 7 which expands Apple’s ProRes codec family to support virtually any workflow and includes Easy Export for one step output to a variety of formats and iChat® Theater support for real-time collaboration. Motion 4 includes enhanced tools such as 3D shadows, reflections and depth of field for stunning motion graphics and visual effects, and Soundtrack Pro 3 features new multitrack audio tools to streamline audio post production. Color 1.5 includes better Final Cut Pro integration and support for full color resolution, and Compressor 3.5 adds new features that make it easy to set up and customize your export options. At $999, the new Final Cut Studio is $300 less than the previous release and is also available as an upgrade for just $299.

With 1.4 million users and 50 percent of the market,* Final Cut Pro is the number one professional video editing application,” said Philip Schiller, Apple’s senior vice president of Worldwide Product Marketing. “The new Final Cut Studio includes more than 100 new features and dramatically expands Apple’s ProRes family of codecs so editors can work in the studio with the highest quality video or on location at low bandwidths.

Final Cut Pro 7

Final Cut Pr

Final Cut Pro 7, the latest version of Apple’s Emmy Award-winning editing software, includes new versions of Apple’s ProRes codecs to support virtually any workflow with the addition of ProRes Proxy, for offline and mobile editing at low bandwidth; ProRes LT, for general purpose editing; and ProRes 4444 for editing and visual effects at the highest quality possible. Easy Export allows users to continue working on projects while encoding is done in the background and the sequence is exported to YouTube, MobileMe™, iPhone™, iPod®, Apple TV®, DVD or Blu-ray. iChat Theater support allows real time collaboration by sharing Final Cut® timelines or individual source clips with iChat users anywhere in the world, even if they don’t have a copy of Final Cut Pro. Other new features include new speed tools to change clip speed with ease, alpha transitions to create dramatic effects using moving mattes, and native AVC-Intra support for the latest high quality Panasonic cameras.

Motion 4

Motion

Motion 4 extends award-winning, easy to use animation tools so video editors can quickly create everything from basic titles to animated credit rolls to stunning motion graphics. Enhancing 3D compositions is faster than ever with new customizable features that add point and spot lights to cast realistic shadows or turn any shape, video plane or paint stroke into a reflective surface. Motion 4 gives editors the flexibility to adjust the depth of field within a 3D canvas by selectively highlighting a single object or using multiple objects to create a racking focus effect.

Soundtrack Pro 3

Soundtrack Pro

Soundtrack Pro 3 adds powerful new audio editing tools including Voice Level Match which extracts volume information from the vocal content of one clip and applies it to another without altering any other audio content so editors can easily correct mismatched voice levels. An enhanced File Editor includes new tools to make sophisticated edits and fine tune volume adjustments by targeting specific frequencies such as the rustle of a paper or the bump of a desk without affecting dialogue. The new Advanced Time Stretch feature stretches and compresses audio with incredible precision using three Apple-designed algorithms or other algorithms available as third party plug-ins.

Color 1.5

Color 1.5, Apple’s easy to use professional grading application, now works with a greater range of sequences and effects from Final Cut Pro and an integrated workflow allows editors to complete projects entirely within Final Cut Studio. New 4K support works natively with files from cameras such as the RED ONE and outputs directly to ProRes for HD or DPX for film. Expanded support for new high quality formats includes AVC-Intra, XDCAM 422 and ProRes 4444, for grading with the maximum amount of color information.

Compressor 3.5

Compressor 3.5 makes encoding and delivering in multiple formats easier than ever with the ability to automatically detect QuickTime® settings and create an Easy Export template or a mini “droplet” on the desktop that automates specific Compressor actions. New, customizable sharing options make it easy to publish to YouTube and MobileMe, or export for iPhone, iPod, Apple TV and mobile phones. For the highest quality HD material, menu templates and encoding presets make it fast and easy to create Blu-ray discs. Final Cut Studio also includes DVD Studio Pro®, a powerful DVD authoring environment with drag and drop tools, on screen editing and real time previews.

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nVeil – Interview with Rich Storek

Apple Final Cut Pro, Final Cut Express plugin, Final Cut Pro, Final Cut Pro 6, Final Cut Pro plugin by Thorsten Meyer on June 27, 2009 No Comments »

In this interview, Rich Storek from Storek Studio talks with us about nVeil. nVeil is a Final Cut Pro and Final Cut Express plugin which changes your footage into a new piece of art.

nVeil example

StrongMocha:  Tell us about yourself and how you came upon the idea for nVeil.
As an architect working with visual art and teaching design, it occurred to me that television could be put to a new use: the creation of art in motion. That led to years of experimenting, playing with the light, color and motion found in any video; first optically/analog, then digitally.

StrongMocha: What exactly is nVeil, how does it work, and who is the ideal user?
nVeil is a digital video filter, running on the Mac for now, that superimposes a line drawing, a “veil” (similar to a stained glass window), onto  any imagery.  Each  closed “cell” within the veil processes its portion of the image by zooming in or out, producing a blur (the original image becomes unrecognizable)or an “insect-eye” view (the original image is repeated) in each cell.

The user is an artist, or anyone who enjoys transforming an existing image into something completely new, through a veil that is easily created.

StrongMocha: What inspired you to create this plug-in?
Apple’s Final Cut Pro, Final Cut Express and Motion are graphic hosts readily available to 3rd party applications such as nVeil, using the FxPlug architecture. It is our first step in making nViel available to everyone.

StrongMocha: What is the best way to create a new Veil using the Scalable Vector Graphics SVG format?
Draw a simple pattern (containing only closed cells) in any SVG editor, such as Adobe Illustrator, CorelDraw, LineForm or Inkscape. Save it as an .svg file and open it in the nVeil video filter in Final Cut or Motion applied to video or a still image of your choice.

StrongMocha: Are there creative application that allow the nVeil user to create easily and fast new Veils?
Either use the library of veils that comes with nVeil, or simply draw a new veil in a few minutes. You can also use “auto-trace” or “live-trace” features to trace the outlines of an existing image.

StrongMocha: Are there any references or examples where nVeil has been used in production?
nVeil is brand new, and we expect to see great works. The artists/editors at CurrentTV are the first professionals to use nVeil. We are hoping others, too, will send us examples of their work to show on the nVeil site.

StrongMocha: What are potential uses of this plug-in that have not been realized?
We have experimented with digital signage, stage projection, building-wall projection and live television applications. We are sure there are creative minds that will come up with other new uses in the world.

StrongMocha: Tell us more about the planned additional veils (presets)?
We are creating veils for different purposes. The most recent issue is with a series of veils that leave the central portion of the image unveiled.

StrongMocha: How does the Final Cut Pro and Final Cut Express plugin differ?
nVeil works equally in each.

StrongMocha:  What are the future plans for nVeil?  Do you anticipate supporting other editing or VFX design apps?
We will be programming an Adobe After-Effects version, and a stand-alone application of nVeil, for starters.

StrongMocha: How does this plug-in relate to the work of Storek Studio?
It is the latest focus of a Bay Area design firm that has produced sandcastles to highrises, but always working in the visual arts.

StrongMocha: Tell us a little more about Storek Studio?
We are a confederation of a few talents, from programming and writing to editing, fine art and architecture, working in the woods at the foot of Mt. Tamalpais in Mill Valley, Marin County, just north of San Francisco. Guided tours with wine on request.

About Rich Storek:

A native San Franciscan with a love of boat design, Rich studied architecture at the University of Oregon, then practiced architecture and product design, and taught design at San Francisco State.

With the U.S. Foreign Service Rich directed Peace Corps programs in architecture and town planning in Africa and Iran. After five years living in North Africa Rich Storek returned to his design practice in San Francisco, specializing in historic buildings.

Along the way Rich initiated an Architect-in-Schools teaching program for  Bay Area kids, assembled a championship sandcastle-building team, and pursued a lifelong engagement with visual arts through Storek Studio. That adventure involved experiments with manipulating and projecting  light, and putting my television to a new use.

nVeil is the result; a new artform, software that captures the rich graphic information of most video content, transforming it into a new visual realm that is configured by the user: the artist.

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Energize: Star Trek Transporter Effect

Adobe After Effects, Apple Final Cut Pro, Final Cut Pro, Sony, Sony Vegas, Vegas by Thorsten Meyer on May 6, 2009 1 Comment »

A very helpful overview of Star Trek’s classic transporter effect. D. Eric Franks shares some great tips and tricks how you can create your own Transporter Effect.

Eric has posted several Star Trek Transporter tutorials on his web site Videopia.org.

The real thing starts this week:

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