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Review: Scoring Synths from Audio Ollie

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Scoring Synths Featured

Scoring Synths by Audio Ollie Review

Audio Ollie’s Scoring Synths is unique. Ollie’s synthesized sounds are distinctive and stand out from the crowd. The place to construct a hardware synth and the recording setup are among the most important elements of this composition. When recording, it started by defining a microphone and multiple different microphone positions and also having different special effects which can be plugged into preamps.

Review Setup and BTS

Firstly, your software synth needs to be a complete performing keyboard or a machine in your DAW. If the synth has any glitches it will transfer over to your music.

A lot of producers do not even consider this factor and simply think if the software is a synth it should work with your DAW or computer. It must work as a stand-alone unit in your DAW and have no issues.

Secondly, the second element of audio ollie’s scoring synths audio ollie review is the recording setup. Yes, we are in the DAW, still use a chain of Kush and other vendor plugins to share the sound and give the synth tones some kush vibe.

If you are using a software synth it will need to be in your DAW in order for you to record audio. Your particular setup needs to have at least one input for instruments in order for you to produce any sound when the synth is playing.

Audio Ollie’s Scoring Synths is unique, I am using it as a tool to demo my recordings for clients. It also helps me to quickly play out chord progressions, melodies, and even filter effects that I can transfer into my audio editor to then go back to my workstation.

This Article was Updated in 2021

It’s great for an all-in-one tool to demo your music so you don’t need to use the same samples everyone else is using, Audio Ollie has created a unique collection of sounds with this product. Still, when revisiting this article in 2021 and the progressed sample library market I would highly recommend this one as one of the first virtual instruments for Kontakt you get as a starter.

Scoring Synths is still included in the top list of today’s synth for film score, where you need access to these kinds of unique instrument, famous software synthesizers. The priceless vintage microphones re recording and included mics support you in creating a film score.

The overall atmosphere is wonderful and helpful. This book includes very high-level content. It is a very good product for low-end sub-fillers, sub drops, or sub exciters. Scoring Synths are devoted to various musical instruments (patches). The Kontakt Library includes BASS, FX, PERCUSSION, BASS PADS, Synthesizer, SUB, etc. This library contains effects including compression, modality, delay reverb, and saturation. It’s good as there’s the option to make the library as wet as the project demands.

Description

Scoring Synths Scoring Synths represents the exciting end result of recording two of the most legendary synthesizers in the world reamplifying them into a very popular live room in America and recording a resounding live sound. No single compromise on the audio level has been made between syntheses, preamplifiers, mastering microphones or scoring stages. Scoring synths is a unique sample library. Designed to produce films.

Studio Console

When it comes to recording, it does start with a defining microphone, many different microphone positions and because they are different special effects, all go into a preamp and then onwards to a console and the device (or tape) that is used to record the performance.

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The synths have been captured in Studio A – Ocean Way Nashville Recording Studios where the producer did have access to their equipment and the vintage hardware (Mics, Effects, Mic Preamps, Dynamics Processors, Equalizers) in the studio. Audio Ollie did send a review copy with no strings attached.

Installation

Scoring Syntheses requires full Kontakt versions, but will not function in free Kontakt-based software samples. The library is downloaded using the tool Continuata Connection.

Sound – synth tones

The vibe of the instruments from Scoring Synths overall is fabulous and very useful. There is a lot of high content included. I do love the low-end sub filler, sub drops, and sub exciter. Primarily the team recorded a Moog Minimoog Model D Analog Synthesizer.

Scoring Synths has a wide variety of instruments (patches) a full list can be found here. The Kontakt library covers BASS, FX, PERCUSSION, BASS, PADS, SYNTH, SUB.

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Effects that you need to add to this library are compression, modulation, delay, reverb, and saturation. This is great as you still have the possibility to make this library as wet as your project requires.

Here you have basic source tones that are funneled through good-sounding hardware. You can take these tones are they are – use a delay or other effects and stack them into something exceptional good sounding.

Looking at the content of Scoring Synths as source content you know where I would go next with this approach.

When it comes to sound design and further processing the source material tools from 2CAudio,  Audio Damage, BOOMLibrary, FabFilter, GoodhertzIK Multimedia, KILOHEARTSKrotosKushSugar Bytes, and others, you can make those sound even more aggressive or lofi according to what is needed for your project.

An easy way to prepare an organic-sounding, dark instrument. You get much better soundings instruments that you processed yourself to get individual particular synths.

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What makes this library an individual collection of instruments is the broad variety of mic positions that are included. You have access to the recording from a DI, Close, Mid room, Deca (with independent Center Channel), Wide, Surround, and Rear Surround Microphones.

You can mix the microphones or select the one that has the best sound for the track or emotion you want to deliver.

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The whole library is a large sound container that includes key synth-based cool-sounding vibes and instruments. You can process the content further or use the sounds for a trailer, underscore, drones, and as a key element to any score to picture.

User interface & Usability

The Interface is shared across all patches and is minimalistic. The default mode is polyphonic and can be changed to mono or for a smooth transition there is a legato mode or glide with portamento.

The developer sampled filters you can mix those tones in through the interface. This is helpful to change the tone of the sound

Scoring Synths.17Scoring Synths UI

There are included highpass filters under the DI Microphone bank, that small button under DI allows you to adjust the tone.

Scoring Synths Audio Ollie Review Conclusion

Audio Ollie’s Scoring Synths is a great library for those who want to create their own custom sound design. The developer sampled filters you can mix those tones in through the interface. This is helpful to change the tone of the sound, and there are highpass filters under the DI Microphone bank that allow you to adjust the tone.

You have access to recording from a DI, Close Room, Deca (with independent Center Channel), Wide Surround, and Rear Surround Mic Positions so you can mix these microphones or select one with the best quality for track/emotion wanted.

What makes this library an individual collection of instruments is the broad variety of mic positions included as well as the ability to process content further – use sounds for trailer underscore the Scoring Synths is a great library for those who want to create their own custom sound design.

User Interface & Usability: The developer sampled filters you can mix those tones in through the interface. This is helpful to change the tone of the sound, and there are highpass filters under DI Microphone bank that allow you to adjuster User Interface & Usability: The developer sampled filters you can mix those tones in through the interface.

This is helpful to change the tone of the sound, and there are highpass filters under the DI Microphone bank that allow you to adjust Synths is a great library for those who want to create their own custom sound design.

Scoring Synths User Interface & Usability: The developer sampled filters you can mix those tones in through

Rating: Five out of five stars

Scoring Synth is a unique and over time recognizable well sounding synth library that has its character.

The flexibility to use different mic recordings will give you access to various tones overall unparalleled flexibility comparing this library to soft synth library.

Highly recommended!   Scoring Syn Sound is a great library for those who want to create their own custom sound design. The developer sampled filters you can mix those tones in through the interface.

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Audio Ollie

Audio Ollie launches Hollywood Bespoke Vol. 2 Full Pack 1

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Audio Ollie launches Hollywood Bespoke Vol. 2 Full Pack 1 hb2v2album

Hollywood Bespoke Vol. 2 Full Pack 1

The Hollywood Bespoke Vol. 2 Full Pack 1 collection features aggressive modular synths, hard-hitting percussion, and rich organic sound sources. While perfectly suited for film score production, these sounds also echo the tones of hip hop, industrial and downtempo.

Hollywood Bespoke Vol. 2 is a multi genre collection bridging the gap between film score, hip hop and industrial down beat. All sounds can be purchased as entire packs for $49 or à la carte for just $1 a sound. No subscription is required – just buy what you want, when you need it.

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Virtual Instrument Library

Audio Ollie Introducing Dark Amalgam – Minimal, Emotive Sound Design

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Dark Amalgam – Minimal, Emotive Sound Design

Dark Amalgam embodies the minimalist underscore genres associated with films such as The Social Network, Ghost In The Shell, & Inception. With an emphasis on synth and organic textures, this collection will accommodate both film score and film editing projects.´

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Audio Ollie Introducing Dark Amalgam - Minimal, Emotive Sound Design 52

All sounds are available as 48khz .WAV files and are fully functional with all major DAWs. Just drag and drop the files into your project and you’re good to go.

Pricing and Availability

Dark Amalgam is available now,

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Virtual Instrument Library

Audio Ollie Introduces TASTE

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TASTE by Audio Ollie

TASTE is Audio Ollie’s new curated premium collection of virtual instruments from Audio Ollie’s catalog, available to you as an introduction to Audio Ollie.

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Audio Ollie Introduces TASTE 59

TASTE is a curated collection of virtual instruments carefully selected from our catalogue, designed to be layered, processed, and effected to create entirely new and inspiring sounds in the form of “multis.” Including instruments from our renowned LA Modern Percussion, Nashville Scoring Strings, Scoring Synths, RCD Uke, and a large collection of never released content from our upcoming RCD Guitars modules, Taste serves both as an introduction to Audio Ollie’s premium product line, and as an expansion of content to our seasoned customers. As a special bonus, we’ve also included a preview version of the Postcard Piano from our good friends at Teletone Audio. Whether you’re a bedroom producer or an A-list composer, a sound designer or a songwriter, there’s something in this collection for you. Feast on your new sonic palette, and taste the difference!

Instruments included in Taste

Instruments included in Taste
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Pricing and Availability

The best part: you can get TASTE for only $3, instead of $99. Get Taste for $3 with these simple steps. 

  • Join the newsletter and get a premium collection of virtual instruments for just $3
  • After signing up you will receive a discount code. Limited time offer. REQUIRES KONTAKT 5 FULL. 15GB HD space. Taste the difference.
Audio Ollie Introduces TASTE
Audio Ollie Introduces TASTE 61

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