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ADA STD-1 Stereo Tapped Delay

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ADA STD 1 Stereo Tapped Delay

Plugin Alliances releases ADA STD-1 Stereo Tapped Delay a 1980s Analog Delay and Modulation Effect Plugin. The delay plugin includes a comprehensive selection of six delays, versatile LFO and modulation controls, plus some flexible panning. Get richer guitar sound or add life to beats, vocals, synths and more.

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A standard delay unit is often expected to be capable of producing long tails, ping-pong effects, and maybe even stutter repeats that come from the need to add time-based flair to your sounds. But while many units can produce longer echoes to some satisfying degree, they often lack the granular flexibility of time settings to practically catch and affect sounds as they manifest in the first few milliseconds of their lifespan. What they fundamentally miss is one of the most basic needs behind adding time to a signal–cleanly duplicate a sound to the ends of adding stereo width, tone, and timbre in a sonically constructive way. If you’re one who is apt to artificially widening an instrument by duplicating it onto two different tracks and offsetting the delay times or have ever wished your flange unit could add body to the sound instead of removing it, do read on.

ADA STD 1 Stereo Tapped Delay
ADA STD-1 Stereo Tapped Delay

By using a specific set of inharmonic delay times, coupled with independent stereo output, the STD-1 precisely delivers the lush bloom of body that your sounds have been looking for. Far from the standard delay effect, the STD-1 excels at producing slap-back echoes and short reverbs that are timed to perfectly allow each tap to overlap the previous decaying iteration, producing what so many throughout the years have called a ‘3-D layering effect’. Each of six taps can be assigned independently to a different stereo output, and adjusted to be delayed by a pre-set range of time in ms.

Delays For Days

A hallmark staple in countless guitarist’s toolkits, the A/DA STD-1 Stereo Tapped Delay is now available in all major native formats. Featuring a great selection of six delays, versatile LFO, and modulation controls and the incredibly useful flexible panning, this is the delay to use when it comes to getting a richer guitar sound or adding life to vocals and much more! Emulated by Brainworx from the legendary rack hardware unit, the digital version of the A/DA STD-1 is a meticulously crafted recreation that can tackle all of your ultra-short delay needs. The A/DA STD-1 is a tapped delay, meaning that it has multiple delay outputs at enharmonic taps in the MN3011 bucket-brigade delay (BBD). It was originally designed for multi-voiced modulated delays (chorus, flange), doubling, ambiance effects, and crude reverb.

Dive Inside

One of the cool features is the bucket-brigade delay circuit that provides a unique way to add extra width and rich depth to your tracks, no matter what they may be. It’s all too easy to create lush soundscapes in your mixes or dial in unique spatial effects if that is what you are after. In case you are looking for more polished vocal tracks, the A/DA STD-1 offers tunable doubling and sweet chorusing. Take your vocal tracks to the finish line and upgrade your flat mono tracks to wide stereo sounds. This is what the STD-1 bucket-brigade delay circuit was made for!

Maximum Versatility

Now you can easily set the delay time and each additional tap will be adjusted to an offsetting value. This is an excellent way to create echoes and short reverb tones with rhythmically overlapping taps. Looking to define the stereo field over time? Route each tap independently to the left or right channels or go for further timbral enhancement by using feedback with a handy Regeneration section. And while it will work great on whatever you decide to use it on, the one special instrument which the A/DA STD-1 shines on a guitar. You can create a really gorgeous sound by tweaking the onboard analog delay and modulation tones. Everyone from Jimmie Vaughan, Kirk Hammett, Bill Connors to jazz fusion visionary Allan Hodsworth used the original A/DA STD-1 to handle their delay tasks and shape the detail in their sound.

On top of the luxurious delay possibilities, the A/DA STD-1 further pushes the envelope even further with the dual LFO circuit that offers an adjustable sweep rate. Here you can get creative and easily modulate the wet signal and arrive at some interesting opportunities for layering sounds and adding natural space in your mix.

ADA STD-1 Stereo Tapped Delay Features

  • Six variable delay taps, each with independent stereo assignment
  • Flexible feedback module produces ‘Regeneration’ from one of three taps
  • Powerful Delay section with internal modulation controls and precise mix parameters
  • Independent Dry/Wet mix control for each stereo output
  • Internal soft peak limiter option for feedback module (not on original hardware)
  • Simulated noise floor control allows full hardware artifact or completely clean sound

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Sound Design

FabFilter New Timeless 3 and Vintage Tape Delay Plug-in

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Timeless 3

FabFilter Timeless 3

FabFilter Timeless 3 is a versatile, vintage-sounding tape delay, which will undividedly satisfy your daily delay needs. And with its unique effects, filters, tap patterns, and unlimited modulation options, you can just as quickly turn it into the ultimate sound-mangling machine!

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Timeless 3 introduces a streamlined new interface, five feedback circuit effects, more filters, up to 16 delay taps, improved filter, and saturation algorithms, a revised preset library, and more. With its dual-delay architecture and limitless modulation system, it’s the go-to plugin for both bread-and-butter echoes and spectacular creative effects.

FabFilter Timeless 3 and Kontakt
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  • Fully redesigned, highly-simplified interface, with an easy workflow and new modulation engine
  • Dual delay lines (5 ms to 5 sec) with host tempo sync and panning
  • Tape delay or time-stretching behavior when changing the delay time
  • Feedback, cross-feedback, phase inversion, and ping-pong mode
  • Up to six analog-style multimode filters with filter panning
  • All-new interactive delay and filter displays simplify operation by enabling direct editing of delay times, feedback, filter frequencies, panning, and more
  • Create rhythmic patterns using up to 16 delay taps, which can be controlled and modulated individually
  • Delay freeze with modulation
  • Drive, Lo-Fi, Diffuse, Dynamics, and Pitch effects for processing the feedback circuit
  • Endless modulation options, with as many 16-step XLFOs, XY controllers, envelope generators, envelope followers, and MIDI sources as desired
  • Full visual feedback of modulation via parameter animation and ‘source flow’
  • Stereo width control
  • Mid/side processing
  • Resizable interface with full-screen mode
  • Carefully designed and curated factory presets, plus support for earlier Timeless presets
  • All the usual features FabFilter users have come to expect: perfectly fine-tuned knobs and controllers, interactive MIDI Learn, undo/redo and A/B switch, Smart Parameter Interpolation for smooth parameter transitions, an extensive help file with interactive help hints, sample accurate automation, SSE optimization, and more 
FabFilter Timeless 3 Logo
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Improved sound

Taking Timeless to new sonic heights — with particular attention paid to the temporal response of the feedback circuit, FabFilter has upgraded and optimized its analog-modeling algorithms from top to bottom. The results are its warmest filters and smoothest saturation yet, delivering epic echo-based effects of unrivalled clarity, presence, and character.

Fabfilter Timeless 3
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Stunning new interface and streamlined workflow

Timeless 3 enables users to design even the most intricate delay effects faster and more efficiently than ever. The completely redesigned interface greatly simplifies operation without compromising the feature set in any way, and is presented with a new, darker color scheme that’s easier on the eye during long sessions. The all-new delay display provides intuitive visualization and tweaking of delay time, feedback, and mix settings, while the interactive filter display makes shaping the frequency response a snap, and the stunning full screen mode expands the GUI for maximum focus. Modulation sources and targets now visualize modulation signals with animated collars and tracks, and the new source flow area provides an engaging overview of all active modulations.

Five feedback path effects

Color the sound of the delays with Timeless 3’s five new ‘one-knob’ feedback effect modules. Add analog-style saturation and digital distortion with Drive and Lo-Fi; soften, smear, and ‘reverb-ify’ the signal with the Diffuse knob; dial in instant compression or gating with Dynamics; and shift the feedback up to an octave up or down with the Pitch processor. Needless to say, all five are available as modulation targets, too, so it’s easy to get them moving with Timeless 3’s XLFOs, Envelope Followers, XY Controllers, MIDI CCs, and more.

FabFilter New Timeless 3 and Vintage Tape Delay Plug in
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Shape the delay with up to six filters

Tripling the number available in version 2, Timeless 3 provides six multimode filters with which to sculpt delays. Each filter is instantiated and adjusted directly in the interactive filter display, and offers a choice of high-pass, low- pass, band-pass, bell, shelf, and notch modes. Apply all six in series or parallel, or with three filters on each L/R channel for cross-feedback-enhanced stereo effects. Whether dialed in for precision equalization or modulated for acrobatic feedback manipulation, Timeless 3’s filters put no limits on frequency shaping and sound incredible.

New and improved presets

The factory preset library has been rebuilt from the ground up to maximize its usability, incorporating Timeless 3’s new feedback effects and filters, and reorganized to make it easier to find the effect needed for any situation. From focused instrument-specific treatments, dubbed-out echo-scapes, and spacious reverbs to a vast range of complex modulation-based special FX, the Timeless 3 preset library is bursting with inspirational setups for use in their own right, or as jumping-off points for creating original patches.

Pricing and Availability

FabFilter Timeless 3 is now available for EUR 109, USD 129, or GBP 94, supporting both Windows and macOS in VST and VST 3, Audio Units, AAX, and AudioSuite plug-in formats. Bundles with FabFilter Timeless 3 and other FabFilter plug-ins are also available. Existing FabFilter customers can purchase or upgrade to FabFilter Timeless 3 with very attractive discounts by logging into their online user account.

To make self-quarantine just a little bit easier during the COVID-19 pandemic, FabFilter offers free 30-day evaluation extensions for all their plug-ins, including Timeless 3.

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Rob Papen

Rob Papen DelSane – Disruptive Split-Personality-Styled

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RobPapen DelSane

Rob Papen DelSane Released

It is true that the amount of Delay FX available is like the number of stars in the Milky Way! Looking at all these stars (Delays) can be overwhelming, so to keep your music production sane…Rob Papen has created DelSane. Rob Papen puts out DelSane virtual stereo delay effect plug-in with disruptive split-personality-styled behavior

RobPapen DelSane
Rob Papen DelSane - Disruptive Split-Personality-Styled 64

As an appropriately-named effect plug-in with a ‘Dr. Jekyll and Mr. Hyde’ behavioral disorder, DelSane makes musical sense when viewed from Rob Papen’s perspective, positioned this way: while it is true that the abundance of delay effects already out there sometimes seems like trying to count the number of stars in the Milky Way, which can be overwhelming, DelSane was duly designed as a way of staying sane when navigating increasingly-insane modern music production waters as an easy-to-use, lovely-sounding stereo tape delay plug-in. Perversely, perhaps, it could be considered insane if Rob Papen’s latest product did not offer something special, as is the Dutch virtual synthesizer, instrument, and effect plug-in developer’s modus operandi. On the face of it, then, it is called DelSane since it is possible to imagine dropping ‘Del’ in favor of ‘In’ as insane-sounding delay types can also be created!

  • The concept of DelSane is two-sided. The first (sane) side is a smooth-sounding Tape Delay which can be easily used as a Stereo or Mono Delay in your music production or as (insane) a creative, think out of the box Delay FX device.
  • The layout is easy to understand and this DelSane can be your basic go-to Delay plug-in for many future music productions.
  • GUI sizes: 100%, 125%, 150% and 200%.
  • The cool ‘Equal Feedback’ feature gives the Stereo Delay a smooth equal Left and Right tail Feedback.
  • If you need a bit of edge added to the Delay sound, the ‘Distortion’ parameter is also available.
  • To alienate the Delay sound even more we added the ‘Frequency Shift’ feature.
  • The creative side of DelSane is the ‘Disrupt Sphere-Slider’. This Sphere-Slider can be connected to the various Delay parameters and by moving the Sphere-Slider, you can change multiple Delay parameters in a dynamic way. Also, if you move the Sphere-Slider, it can move back to the center in a tempo-based way which we call the ‘Spring’ feature. Very dynamic changing Delays are possible using this ‘Disrupt’ feature!
  • To avoid muscle pain… you also can use the ‘Lazy Mode’ so that the movement of the Sphere-Slider can be automated in different directions, which allows you to also create Flanger, Chorus or creative new types of modulation sounds.
  • There is an ‘Audio Follower’ which can be used to influence various Delay parameters including the ‘Sphere-Slider Disrupt’ parameter itself!
  • The ‘MIDI & MOD’ control section can be used to influence various DelSane parameters including the ‘Disrupt Sphere-Slider’!
  • So, either way…for a sane top sounding Tape Delay or crazy insane changing Delay, RP-DelSane is your go-to Delay for years to come 😀

Central to the insanely creative DelSane is its eye-catching DISRUPT spherical slider. Since said slider is connected to the various delay parameters, it is possible to change multiple parameters in a dynamic way when moved. It is also Spring featured, so can be made to spring back into the Center position in a tempo-based manner, making for very dynamically-changing disruptive ‘insane’ delay types — and all without recording innumerable parameters, paralleling trying to count those Milky Way stars!

So think of DelSane as a two-sided — split-personality-style — concept with the first (sane) side being a smooth-sounding tape delay that can be easily used as a stereo or mono delay and the second (insane) side acting as a creative conduit to thinking out of the box with delay effects.

Either way, DelSane it surely set to become a go-to delay plug-in perfectly suited to any music production, thanks to its easy-to-understand layout presented as an easy-on-the eye GUI (Graphical User Interface) that is resizable from 100% to 200% in four incremental steps.

RobPapen DelSane Manager
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Further features well worth highlighting here include a cool EQUAL FEEDBACK function — providing the STEREO DELAY with an equally smooth left and right feedback tail; DISTORT — adding a bit of a distorted edge to the delayed sound; and FREQ SHIFT — alienating the delayed sound still further.

Easing the delayed sound’s passage into modern music production waters — whether sane or otherwise — while avoiding any muscle pain in the process, activating the LAZY MODE automates the movement of the DISRUPT spherical slider in different directions, duly allowing for the creation of chorus, flanger, or new types of modulation effects, while an AUDIO FOLLOWER function facilitates influencing various delay parameters — including the DISRUPT spherical slider itself! Meanwhile, MIDI & MOD makes for further flexibility when it comes to influencing those various delay parameters.
So ‘sanity’ and ‘insanity’ is available in abundance when working with DelSane — so much so that Dr. Jekyll and Mr. Hyde would surely approve… if involved in modern music production! 

RobPapen DelSane BackPanel
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Pricing and Availability

DelSane is available as a 64-bit AAX-, AU-, and VST-compatible effect plug-in for Mac (OS X 10.12 – macOS 11) and as a 32- and 64-bit VST- compatible effect plug-in for PC (Windows 7/8/10) — with 64-bit AAX compatibility available for PT 12 or higher (PC) — at a time-limited introductory promo price of €29.00 EUR/$29.00 USD until May 15, 2021 — rising thereafter to a MAP (Minimum Advertised Price) of €35.00 EUR/ $35.00 USD — from authorized Rob Papen dealers worldwide or as a download directly from Rob Papen itself for the same pricing.

While DelSane is not included in the latest version of the eXplorer 6 bundle, Rob Papen is offering DelSane for free to anyone that purchases — or upgrades to — eXplorer 6 between now and May 31, 2021.

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Valhalla DSP.

ValhallaDelay Updated Adds New Quartz and PhaserDDL Modes

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ValhallaDelay Updated to 2.0.8

ValhallaDelay Updated to 2.0.8

The ValhallaDelay 2.0.8 update adds two new delay modes: Quartz & PhaserDDL

New Quartz Mode

Quartz is a delay mode as transparent as its namesake. The Quartz mode takes the filtering out of the feedback loop, and incorporates a nearly colorless limiter, so your repeats can be as bright and shiny as you want them to be. Perfect for looping, clean echoes, bright flanging, and all sorts of pristine sounds.

ValhallaDelay Updated Adds New Quartz Mode
ValhallaDelay Updated Adds New Quartz and PhaserDDL Modes 78

PhaserDDL Mode

PhaserDDL incorporates a digital delay with a 4/6/12 stage phase shifter on the outputs. The phase shifters are in the feedback loops, which results in psychedelic echoes with long delays. Turn the delay time and delay feedback down to zero, and PhaserDDL is a great stand-alone phaser. The Age knob is swapped out for a Res knob, to control the phase resonance. 

ValhallaDelay Updated Adds New PhaserDDL Mode
ValhallaDelay Updated Adds New Quartz and PhaserDDL Modes 79
  • Single: same modulation for left and right channels 
  • Dual: quadrature modulation (0 degrees in left, 90 degrees in right)
  • Ratio: antiphase modulation (0 degrees in left, 180 degrees in right)
  • PingPong: antiphase modulation (0 degrees in left, 180 degrees in right)
  • Quad: 4 separate phase shifters, each running at a different rate, and each with antiphase modulation (0 degrees in left, 180 degrees in right). Select two or more Taps for a lush combination of phase shifting, or all 4 for a dense phase shifted stew.

Pricing and Availability

The 2.0.8 update of ValhallaDelay is available to demo and purchase today. If you already own ValhallaDelay, the FREE update can be found by logging into your user account. 

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