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Field Recording

Tascam X8 Problem, First Impressions and Q&a



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In our first video about the new Tascam X8, we briefly talk about a problem we discovered, our first impression and we answer your question that you had on Instagram and YouTube.

Who are we?

We’re Libby and Marcel, a full-time traveling couple recording unique sounds around the world! Follow us as we go to different destinations, showcasing new audio gear, and providing tips and tricks for field recording and sound editing!

Tascam X8
ascam Portacapture X8 High Resolution Adaptive Multi-Track Recorder
No matter where your creative endeavors take you, the Tascam Portacapture X8 will be there to help you get the most out of them. With its intuitive launcher system, 192kHz/ 32-bit floating point recording capability, and a wide range of supported recording applications, this powerful recorder gives you everything you need to create professional-quality recordings with ease. Plus, with four XLR/TRS locking combo jack MIC/LINE inputs and HDDA (High Definition Discrete Architecture) mic preamps, you can capture top-notch audio no matter what kind of microphone or other gear you’re using. So don’t miss out on the Tascam Portacapture X8 – order yours today!
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Field Recording

Unlock the Magic of Rain: Dive into the Art of Field Recording in the Deluge



raining in the city

Field Recording in The Rain

Are you looking to add a unique and captivating element to your sound recordings? Consider field recording in the rain! The sound of rain isn’t just noise – it’s music that can inspire and enhance your projects. Despite the challenges of recording in a wet and wild environment, with the right gear and determination, you can capture amazing sounds that transport listeners to a rainy day or add a powerful ambiance to your audio projects. So, let’s embrace the elements and explore the art of field recording in the rain!

Soaked Sounds: Recording in the Rain

Why not add some precipitation to your recordings and make them more interesting with field recording in the rain?

The rain isn’t just noise, it’s music – so why not capture it and create something beautiful?

It might be wet and wild outside, but you can still make great recordings – just bring the right gear and some determination!

Think outside the studio and embrace the elements for a unique sonic experience with field recording in the rain.

The Sound of Water: Capturing Nature’s Music

Water is one of the most versatile and evocative sounds in nature. From the gentle trickle of a brook to the crashing waves of the ocean, water can inspire all kinds of music and art. When recording water sounds, you can capture a wide range of textures and rhythms, and over time, the sound of water changes and evolves, offering endless possibilities for creative exploration.

One of the benefits of using water sounds in your recordings is that water interacts with other environmental elements in unique ways. The sound of water hitting different surfaces, like leaves or rocks, can create a vibrant soundscape that captures the essence of the environment.

Whether you’re recording close-up droplets or distant waves, capturing the sound of water can add depth and emotion to your audio projects. The next time you’re out in nature, take a moment to appreciate the beauty of water and consider how you can use it in your field recordings.

Rainy Day Rhythms: Finding Inspiration in the Storm

Rainy days may seem dull and dreary, but they can actually be a great source of inspiration for musicians and sound designers. With a bit of field recording in the rain, you can capture a range of unique sounds that can add depth and texture to your music.

The sound of raindrops hitting different surfaces can create all kinds of rhythms and textures that can be used in music production. Whether it’s the gentle pitter-patter of rain on a rooftop or the loud and constant patter of an intense storm, there’s something magical about the sounds of rain that can bring a composition to life.

In addition to the sounds of rain itself, there are also many other environmental elements that you can capture during a rainy day recording session. The sound of thunder, wind, and even individual raindrops hitting different surfaces offer endless possibilities for creative exploration.

Not only can the sounds of rain add depth and texture to a musical composition, but they can also help capture the feeling of a rainy day. This can create a sense of nostalgia and emotional connection with the listener, making the music more memorable and impactful.

So, next time it’s raining outside, grab your recording gear and embrace the elements for a new sonic adventure. Who knows what kind of musical magic you might discover in the storm.

Dancing in the Rain: How to Keep Your Gear Dry

Recording sounds in the rain can be exhilarating, but it can also be risky for your equipment. Here are some tips to keep your gear dry:

  • Invest in weather-resistant gear. Look for rain covers for your microphones and other equipment.
  • Use plastic bags or rain ponchos to protect your gear when necessary.
  • Set up your equipment under a waterproof canopy or umbrella. This will not only keep your gear dry but also provide a shelter for you.
  • Keep a towel or shammy handy to wipe off any excess water that gets on your gear.
  • Stay alert and keep an eye on the weather. If you notice lightning or heavy downpours coming, have an exit plan ready.
  • Consider filming or recording near an overhang or other structure that can protect you and your gear from the rain.

With a little bit of planning and preparation, you can dance in the rain and make great recordings without worrying about damaging your gear.

Making Music with Mother Nature: Using Natural Elements in Your Recordings

Nature is full of amazing sounds that can be used to create unique and interesting musical projects. Whether it’s the birds singing, leaves rustling or wind blowing, incorporating natural sounds can add depth and texture to your music.

Recording natural sounds can also help you connect with the environment and spread awareness about issues like climate change and deforestation. By using these sounds in your music, you can create a sense of urgency and bring attention to important issues.

Experimenting with natural sounds is not just a creative pursuit, but an opportunity to learn and appreciate the world around us. By listening closely to the environment we live in, we can find inspiration and create something truly beautiful.

  • Use a high quality microphone to capture the nuances of natural sounds.
  • Avoid recording in noisy environments or during peak traffic hours to minimize background noise.
  • Make sure to properly credit any natural sounds used in your music.
  • Try layering different natural sounds together to create a unique sonic landscape.

By incorporating natural sounds into your music, you can create a unique and powerful artistic statement. Not only will your music stand out from the crowd, but you’ll be raising awareness about important environmental issues as well.

The Art of Field Recording: Techniques for Capturing Environmental Sounds

Field recording is a specialized skill that requires a combination of technical knowledge, creativity, and an ear for sound. Whether you’re capturing the sound of nature, urban environments, or human activity, there are certain techniques that can help you achieve the best results.

Microphone Placement

One of the most important aspects of field recording is microphone placement. Depending on the environment and the sound you’re trying to capture, you may need to use different microphone techniques. For example, if you’re recording outdoor wildlife, you may want to use a stereo microphone setup to capture a sense of space and depth. If you’re recording a specific sound, such as a car engine or a musical instrument, you may need to use close miking techniques to isolate the sound and reduce ambient noise.

Ambient Sound

Ambient sound is the background noise present in any recording environment, and it can play a significant role in the overall sound of your recording. When you’re field recording, it’s important to pay attention to the ambient sound and try to reduce or control it as much as possible. This can be done by choosing a quiet location, using directional microphones, or waiting for a quiet moment to begin recording.

Wind Noise

Wind noise can be a problem when field recording, especially in outdoor environments. To reduce wind noise, you can use wind protection on your microphone or choose a location that is sheltered from the wind. Alternatively, you can try to use the wind creatively in your recordings, by capturing the sound of wind blowing through tree branches or creating a sense of movement and energy.

Recording Formats

When you’re field recording, it’s important to choose the right recording format for your project. For example, if you’re recording sound effects for a film or video game, you may want to use a high-quality, uncompressed format like WAV or AIFF. If you’re recording for a podcast or online video, you may be able to use a compressed format like MP3 or AAC without sacrificing too much quality.


Field recording is a creative pursuit, and there is no one “right” way to do it. To get the best results, it’s important to experiment with different techniques, equipment, and locations. You may discover new techniques that work well in certain environments or with certain types of sound. By continuing to experiment and learn, you can develop your own unique style of field recording and capture sounds that are truly original and inspiring.

Recreating Rain: Using Foley for Film and TV Productions

Rain is a common element of film and TV productions, and Foley artists are responsible for recreating these sounds in the studio. Foley is the reproduction of everyday sounds for use in film and video production. Using a variety of tools like rain sticks, buckets, and splashing water, Foley artists can create realistic rain sounds that match the visuals on screen.

Not only is Foley about creating realism, but it’s also about creating a sense of mood and emotion that enhances the viewer’s experience. Every rain event has a unique sound, and recreating that sound is a challenge that Foley artists embrace.

The creativity and ingenuity of Foley artists can often go unnoticed. Next time you’re watching a rainy scene in a movie or show, take a moment to appreciate the hard work of these artists who make it all possible.

Rainy Ambience: How to Create Atmospheric Soundscapes

Ambient soundscapes can be incredibly immersive and transportive, and using field recordings of rain can add a special quality to them. Here are some tips for creating your own rainy soundscapes:

1. Layer Your Recordings

Layering rain sounds with other environmental elements like birds, insects, and even traffic, can create a complex and engaging audio environment. Start by collecting various field recordings and experimenting with different combinations and levels.

2. Play with Panning, Filtering, and Reverb

Playing with these effects can help create a sense of space and depth, offering a more realistic and dynamic listening experience. Try experimenting with different settings and see which ones work best for your chosen soundscape.

3. Use EQ to Balance Your Mix

Equalization can help you balance the frequency spectrum of your mix, making sure that no element is too overpowering or lacking. Use EQ to remove any unwanted frequencies, accentuate certain sounds, and make sure that everything sits well together.

4. Think About the Mood You Want to Convey

Do you want your soundscape to be calming and meditative, or do you want it to have a more intense and dramatic character? Think about the mood you want to convey and choose your sounds accordingly.

5. Remember to Listen to Your Mix in Different Environments

Make sure to listen to your soundscape on different playback systems and in different environments to make sure that it translates well. Be mindful of any unwanted background noise, distortion or imbalance, and adjust your mix accordingly.

Creating your own rainy ambience may take some time and experimentation, but with the right tools and techniques, you can create a captivating soundscape that transports your listeners to a rainy day.

Riding the Storm: Exploring the Power of Thunder and Lightning Sounds

Thunder and lightning may be intimidating, but they can also be a source of incredible sound recording opportunities.

Capturing the power and energy of a storm can add a dramatic and awe-inspiring element to your audio projects.

Recording the sounds of thunder and lightning may require more care and caution, but the results can be well worth the effort and risk.

Next time you’re caught in a storm, grab your gear and head outside – you never know what kind of sonic adventure awaits.

Singing in the Rain: Tips for Recording Your Own Original Soundtrack

If you’re a musician or composer, the sound of rain can be a unique and inspiring backdrop for your music. Here are some tips for recording your own original soundtrack:

Singing in the rain takes on a whole new meaning when you’re recording your own original work – who knows what kind of magic you’ll create?


In conclusion, field recording in the rain offers a unique and exciting opportunity for sound enthusiasts, musicians, and artists. The sound of rain, water, thunder, and lightning can inspire creativity, evoke emotions, and add depth and texture to various audio projects.

However, recording in the rain requires preparation, skill, and caution to ensure the safety of equipment and personal well-being. With the right gear, techniques, and mindset, field recording in the rain can be a fulfilling adventure that brings us closer to nature and unlocks our creative potential. So, why not embrace the elements and let the rain be your muse? Who knows what kind of beautiful sounds and experiences you’ll capture and create?

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Field Recording

Creative Micro Audio Recording Kit For Experimental Sound Design



Creative Micro Audio Recording Kit For Experimental Sound Design

My “almost” perfect creative micro audio recording kit for sound libraries, sound design and music production.

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Beginners Guides

Audio Recording Gear – $1000 Budget!




Audio Recording Gear 1000 Budget

I’m a musician, and I love making music. But when recording my music, I’ve always been intimidated by the complexity of professional audio recording equipment. When you get into this stuff, it’s easy to feel like you need thousands upon thousands of dollars worth of gear to get started—but that’s not true! In fact, with just $1000 (or even less), you can make incredible recordings at home without breaking the bank. Let me show you what kinds of things I would buy if I had a budget of $1000:

Audio-Technica AT8022 X/Y Stereo Microphone

The Audio-Technica AT8022 is a versatile stereo condenser microphone that allows you to experience the pristine sound quality of a live sound field while in a more compact housing.

Its coincident capsule configuration produces an X/Y stereo image in a small housing. The microphone is supplied with two cables for either pro or consumer gear. It offers switchable low-frequency roll-off and the convenience of battery or phantom power. The microphone is fully RoHS-compliant, making it ideal for video camera-mount use, stereo field recording, interviews, and home recording.

Audio-Technica AT8022 X/Y Stereo Microphone
Audio-Technica AT8022 X/Y Stereo Microphone
Audio-Technica AT8022 X/Y Stereo Microphone
Our Score

The audio-technica AT8022 is a versatile stereo condenser microphone that offers a compact housing and the pristine sound quality of a live sound field.

A Good Microphone Is Essential

A good microphone is essential. You can’t record audio without a microphone, and the one you choose will determine what kind of content you produce.

The first thing to look for when choosing a mic is sound quality. This means that your voice should be clear and crisp and that it doesn’t have any background noise or buzzing sounds. The next step is figuring out what kind of sounds you want to record: voices. Instruments? Sound effects? Once you have determined this, search for mics that can pick up those particular frequencies well (you’ll find more about this on my website). After all this research comes finding an affordable price point—plenty available!

Professional Field Recorder

The F3 is a powerful and versatile digital recorder that offers 32-bit float recording for capturing the quietest raindrops and the loudest explosions. With its tiny footprint, the F3 can be placed anywhere, providing up to 192 kHz of high-quality audio recording. The F3 also features an integrated headphone amplifier for monitoring purposes, a built-in limiter, and a low-cut filter to help avoid clipping and unwanted noise.

Zoom F3 Professional Field Recorder, 32-bit Float Recording, 2 Channel Recorder, Dual AD Converters, 2 Locking XLR/TRS Inputs, Battery Powered, Wireless Control
9.4/10Our Score

I've been a sound recordist for over 10 years now, and in that time I've worked on some pretty films. One of the things that I've had to contend with is recording really loud sounds like race cars and weaponry. It can be a real challenge to get the levels right without distortion, which is why I love the 32-bit float technology. I can fit the F3 virtually anywhere, and I don't have to worry about my levels being off. Plus, the F3 is immune to RF interference, so I can place it right in the middle of all the action and not worry about losing any signal. It's a fantastic piece of equipment and has helped me get some great recordings over the years.

  • 32-bit float recording and dual AD converters for full dynamic range and clip-free audio capture with no need to set gain
  • 2 locking-XLR inputs / 2-track field audio recorder
  • Compact yet rugged metal casing, mounting bars and tripod mount
  • High quality mic preamps with a super-low noise floor (−127 dBu EIN)
  • Record up to 192 kHz sampling/32-bit float WAV format, mono or stereo files to SD cards up to 512GB

As anyone who has worked in the field or on set knows, sound levels can fluctuate often and quickly. This can make capturing audio free of background noise and distortion challenging. The F3 is a versatile and affordable sound recorder that helps to overcome these challenges. It features an adjustable gain control that allows you to adapt to your scene without worrying about clipping. In addition, the F3’s advanced algorithms enable capturing high-quality audio, even at extremely low or high sound levels. As a result, the F3 is an ideal tool for capturing professional-quality audio in any setting.

Whether you’re recording music, dialog, or sound effects, the F3 is an ideal solution for capturing high-quality audio.

Rycote Baby Ball Gag 21mm (0.82″) Windshield

A windshield is an essential gear that will protect your microphone from wind, plosives (the “p” sound when you speak), and even pops when recording. Windshields are usually made of foam. They can be used with a shock mount or a boom pole to prevent unwanted vibrations while recording audio in extreme conditions like wind or rain.

The BBG Windshield is a compact, spherical windshield that is designed to offer maximum wind-noise protection for microphones with a 21mm shank diameter. The windshield is made from a dense blade network that helps deflect wind and water.

The compact size of the windshield makes it perfect for hand-held operations and interviews. The optional Windjammer is available for the windiest conditions. Made from high-quality materials, the BBG Windshield is designed to last.

Rycote Baby Ball Gag 21mm (0.82
9.4/10Our Score

Microphones are essential for many audio professionals, but they can be challenging to use in windy conditions. Wind noise can ruin recordings and make it difficult to hear the audio you want to capture. The BBG windshield offers maximum wind-noise protection in a compact, spherical package.

Suitable for microphones with 21mm shank diameter, the BBG windshield offers great windshielding in a smaller package. Perfect for hand-held operations and interviews, the BBG windshield is also available with an optional Windjammer for windiest conditions.

Made to offer the wind attenuation properties of a full-sized windshield in a much smaller package, the BBG windshield is perfect for short microphones and is widely used for ORTF microphone pairs and other microphones with bulbous ends. With the BBG windshield, you can rest assured that your recordings will be free from wind noise.

  • Maximum wind-noise protection in a compact spherical package
  • Perfect for hand-held operations and interviews
  • Great wind shielding in a smaller package

A windshield is often used with a mic stand to keep it stable if you’re outdoors and need to record outside as well as indoors, where everything else is quiet enough for your voice alone to be heard enough without interference from other sources such as traffic noise outside or computers left on in other rooms near where the mic will pick up those sounds instead of yours!

Rycote BBG Windjammer

The Windjammer is a device that helps to reduce wind noise. It can be attached to the microphone and stand or worn as a small pouch around your neck. The price tag may seem steep, but the benefits of removing unnecessary background noise in your recordings (mainly if you record outdoors) is well worth considering.

Rycote Windjammer for Baby Ball Gag Windshield
9.4/10Our Score

The Rycote BBG Windjammer is an essential tool for anyone who wants to minimize wind noise. The synthetic fur cover helps to deflect the wind, and the dense network of blades helps to attenuate the sound. Up to 50 dB of wind-noise attenuation is possible with this Windjammer, making it an essential tool for anyone who wants to protect their recording from excessive wind noise.

The Rycote BBG Windjammer is an essential gear for anyone who wants to minimize wind noise. The Windjammer is sized for use with the BBG Windshield and provides up to 50 dB of wind-noise attenuation. The synthetic fur cover also helps to protect against extreme wind noise. The Windjammer is an essential gear for anyone who wants to minimize wind noise. Whether you’re shooting video or audio, the Windjammer will help you get the best possible results. Order yours today!

Audio-Technica ATH-M20X Professional Studio Monitor Headphones

The ATH-M20x over-ear wired headphones include all the features you need, making them the perfect entry-level studio headphones. Designed for tracking and monitoring with 40 mm drivers and tuned for enhanced low-frequency performance, these closed-back headphones deliver a critically acclaimed audio experience.

They also feature 90-degree swiveling earcups for easy one-ear monitoring, professional-grade earpads for comfortable listening, and a detachable single-sided cable. As a result, the ATH-M20x headphones are an ideal choice for anyone looking for an affordable pair of studio headphones that still deliver high-quality sound.

Audio-Technica ATH-M20X Professional Studio Monitor Headphones, Black
Audio-Technica ATH-M20X Professional Studio Monitor Headphones, Black
Audio-Technica ATH-M20X Professional Studio Monitor Headphones, Black
Our Score

The ATH-M20x over-ear wired headphones are a great choice for anyone looking for a quality pair of headphones. They feature advanced build quality and engineering, and the 40 mm drivers with rare earth magnets and copper-clad aluminum wire voice coils provide excellent sound quality. The circumaural design contours around the ears for excellent sound isolation in loud environments, and the convenient single-side cable exit makes them easy to use. The headphones are also designed for studio tracking and mixing, making them an ideal choice for any musician or producer.

  • Advanced build quality and engineering Designed for studio tracking and mixing
  • 40 millimeter drivers with rare earth magnets and copper clad aluminum wire voice coils
  • Tune for enhanced low frequency performance
  • Circumaural design contours around the ears for excellent sound isolation in loud environments
  • Convenient single side cable exit Magnet neodymium Designed for studio tracking and mixing
  • Connectivity Technology Wired

Headphones are essential for monitoring your audio. You need to hear what’s happening in the audio you’re recording.

  • The most important thing is that they should be comfortable to wear. If you get headphones that are too heavy (or uncomfortable in other ways), you may want to consider getting a new pair after an hour or so of wearing them.
  • Durability is also important because if your headphones break, they won’t work. It could be tempting to buy cheap ones but remember: you’re paying for quality! You don’t want something that will break after a couple of uses!
  • Weather resistance is another key factor here because, without weather resistance, it will be harder for these headphones to survive long enough without being damaged by moisture or extreme temperatures (like heat).

With a budget of $1000, you can get started making high-quality audio recordings.

As a podcaster, you know that your listeners are essential to your show. The better you can make them feel, the more likely they will keep listening.

If you’re trying to grow an audience for your podcast or do things like start a podcast brand, then investing in recording gear is crucial for getting started with good audio quality.

A $1000 budget isn’t get you professional equipment, but it will give you some great options and help ensure that what you record sounds great!


I hope this list has been helpful for those looking to get started with audio recording. I know it’s not an easy process, but once you have all the necessary equipment, you’ll be well on making great-sounding recordings. My best advice would be to start simply and work your way up from there!

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StrongMocha is a magazine for music producers, audio engineers, and sound designers. StrongMocha Magazine provides the latest industry news, reviews of gear and software, tutorials on recording techniques, and tips for mixing.