- Advertisement -

Kush Audio has recently released its newest plugin, Blyss Mastering Channel EQ. This is a mastering-style EQ with a vibe that feels like it was designed for the analog age. The name comes from “Blessing” and “Elysian Fields” which symbolize paradise in Greek mythology. It has an interesting filter section with filters inspired by vintage analog hardware units as well as different modes of operation to suit many mixing styles.

Kush Audio’s boutique hardware & plugins are designed to give mix engineers more warmth in their music, vibe of production style. Compressors, EQ’s preamps provide an excellent foundation for all your mastering needs with ease-of-use at its core!

Kush Audios Blyss 1
Review of Kush Audio’s Blyss EQ for Mastering with an Analog Vibe 10

Table of Contents

- Advertisement -

Mastering & Mixing

Mixing is a fundamental aspect of production and mastering is the final step in that process. In mastering, a song is balanced and optimized to sound great on all playback systems from car stereos to portable players like an iPod or laptop speakers.

From drums to vocals – you need the right equipment for every task! We at One-Stop-Shop can provide everything from microphones (cardioids/olives) all way up through amplifiers that will give your sound its best representation possible by ensuring clear separation between instruments during recording sessions or live performances alike!.

Gray and Brown Camera Beside Picture Post Magazine
Review of Kush Audio’s Blyss EQ for Mastering with an Analog Vibe 11

EQ & Compressor

The EQ is a multifunctional tool that can be used to alter the tone of any song. The range and creativity offered by this device makes it easy for mix shaping, because you are able to find just what your music needs without having too many options open at once or being overwhelmed with choices

The compressor is the perfect tool for giving your sound the extra edge it needs. There are many different types of compression, but none can compare to how musical this one sounds!

6-in-1 Mastering EQ

The Chain 6-in-1 Mastering EQ is a six-stage processor that can be used in mastering to add additional subtlety and polish. It has three-band equalizers with one high pass filter per band, a shelving compressor at the end of each channel for vocals or instruments alike which will give you nice controlled compression without any unwanted edges on your track’s dynamics when they are transparent sounding enough already!

With this one-of-a-kind mastering EQ, you can get six stages of subtle saturation with an easy-to-use ‘finishing compressor’.

Kush Audio’s Blyss EQ is a mastering-style plugin that gives mix engineers more warmth in their music, vibe of production style. Compressors, EQ’s preamps give an excellent foundation for all your mixing needs with ease! The Chain Mastering Equalizer has three-band equalizers with one high pass filter per band and a shelving compressor at the end of each channel which will give you nice controlled compression without any unwanted edges on your track’s dynamics when they are transparent sounding enough already. With this six-stage processor, there can be subtle saturation added to tracks easily while still maintaining some clarity in the high frequencies so it doesn’t get lost when mastered! It has six different stages including three-band equalizers and a shelving compressor.

Kush Audios Blyss 4
Review of Kush Audio’s Blyss EQ for Mastering with an Analog Vibe 12

Blyss sound makes my heart beating

The sound of Blyss is an enchanting, mystical journey through the stars. As I lay my head on its furry red cushion to listen for one more song before sleep claims me forevermore-I can’t help but feel like this may be where it’s all headed in that great beyond up above us waiting with open arms or maybe just pure silence until our last breath has left us, mortal enemies, again then finally free from these burdens known as life and love and the heartache of having both.

Kush Audio’s Blyss EQ is a mastering-style plugin for mixers who want their music to have an analog vibe with warmth throughout, all while still maintaining some clarity in the high frequencies so it doesn’t get lost when mastered! It has six different stages within its processor including three-band equalizers and a shelving compressor.

Blyss EQ
Review of Kush Audio’s Blyss EQ for Mastering with an Analog Vibe 13

The Mastering Equalize

The Chain Mastering Equalizer has been designed to give you subtle saturation while still maintaining some clarity in the high frequencies so it doesn’t get lost when mastered! This plugin works well on vocals, instruments alike with one high pass filter per band plus an easy-to-use ‘finishing compressor’. The sound of Blyss is an enchanting, mystical journey through the stars that makes this may be where it’s all headed up above us waiting with open arms or maybe just pure silence until our last breath has left us, mortal enemies again then finally free from these burdens known as life and love and heartache having both.

Blyss Mastering Channel is a 3-stage processor designed specifically to make your busses sound “prettier”. Stage one adds some clarity and separation, while stage two widens the spectrum of instruments or vocals for more body in mixdowns without adding any extra noise—and finally, it tightens up all those details on individual drums that tend to get lost when they’re mixed together. The Blyss mastering channel is so good, it can be used on individual tracks too.

Woman in Retro Outfit Using Vintage Vinyl
Review of Kush Audio’s Blyss EQ for Mastering with an Analog Vibe 14

Less is more

There’s a reason that many genres have been developed- this theory has been around for decades and will never go out of style! In all things design, less can be better because it forces you to make decisions wisely while still giving your sound everything needed in order not only look good but also perform well at what we do best – create music with depth

Blyss’ Equalizer is a very musical EQ that enhances the overall tone of your sound rather than just adding or taking away frequencies like some others do, with six bands to play around and having shelving filters per band it’s easy to find where we want our sounds both in terms of frequency and dynamics while making sure nothing gets lost during this process (which happens all too often when using other plugins). Once you’ve got these qualities under control then it becomes easier to make any sort of changes needed for each instrument/vocal within different situations on stage or within studios without worrying about things sounding unnatural from being overcompensated etc..

Kush Audios Blyss 6
Review of Kush Audio’s Blyss EQ for Mastering with an Analog Vibe 15

Improve the tone with simple set of controls

Kush Audio Blyss plugin has been created specifically as an add-on used to improve the tone of busses so you should use it on individual tracks as well to enhance their character, this plugin is very easy to use and understand. It won’t take long for anyone who has used EQs before to feel comfortable with what they are doing here even if they have never tried Kush Audio Blyss mastering-style EQ in that case everything becomes much simpler.

Kush Audio Blyss only gives you a simple set of controls which means there are not too many options available within each section but at least having access to three stages makes up for the lack thereof during the mixing process while also allowing us room for experimentation when needed giving us chance to create our own presets or work with those already made by other sound engineers/producers for instance.

Kush Audio Blyss may be a bit less powerful than other mastering-style EQs out there, but the simplicity of this plugin makes it easier to understand how it works and use that knowledge when creating unique presets or tweaking existing ones so we can focus more on the music itself rather than wasting time trying to figure things out as we go along which is what happened with plugins.

Piano vintage black white
Review of Kush Audio’s Blyss EQ for Mastering with an Analog Vibe 16

Kush style analog

There is no digital emulation of analog circuitry here, but Kush Audio Blyss does provide a very nice sounding equalizer – especially its low-end (which can be extended to as low as 30 Hz) which feels like it has been created by someone who understands both what we need from an EQ during mastering process and how to make that happen with this plugin in particular; the high end also sounds incredibly smooth without creating too much excess brightness or harshness so I would definitely recommend using Kush Audio Blyss on any type of music you’re working on since there really isn’t anything quite like it anywhere else out there right now making everything sound more “analog” than ever before.

Blyss Presets

Blyss from Kush Audio comes with plenty of presets that will definitely help you get started especially if you’re new to mastering-style EQs or just want some quick options for your music regardless of genre so I would recommend starting off with those before creating something more personalized based on your preferences /needs.

Kush Audios Blyss presets
Review of Kush Audio’s Blyss EQ for Mastering with an Analog Vibe 17

This is a very good plugin that offers an incredible sound, lots of presets and plenty of options which makes it easy to recommend Kush Audio Blyss even if you’re not interested in adding analog vibe to your music – this EQ can be used as a regular mixing tool just as well so I would definitely check out the demo version before deciding whether or not buying it from PluginBoutique website where they have both standard and extended licenses available for purchase.

Saturation EQ knob

When first launching Blyss, it’s tempting to grab the big EQ knobs and go for an intense sound design right away. But you want your mixdowns on this new project of yours sounding as good as possible so don’t forget about subtlety in those low-end frequencies!

The heart of this machine is really the unassuming Saturation section.

The essence and soul of an instrument can be found in its most basic parts; they’re often overlooked or taken for granted when we think about what makes up something as complicated and multifaceted like a human being, but it’s also true with machines: if you take away all these extra bits that don’t serve any function other than decoration (like string basses), then there will only Remain A Voice Or Two Left Alive To Be Heard By The World At Large!

Old Vintage Music Radios On A Shelf
Review of Kush Audio’s Blyss EQ for Mastering with an Analog Vibe 18

The Saturator’s three discrete op-amp stages are perfect for adding that extra something. With one knob, you can do a lot to your sound!

Blyss’ Saturation is a luxurious color circuit that will make you feel like royalty. It has an edge, but it’s not too sharp or harsh when driven to extremes- in fact, this saturation seems more nuanced than before with subtlety at its heart rather than brightness coming from strong contrasting elements such as blue note sounds which can sometimes overwhelm other colors on top of them during a performance for instance keyboards playing fast arpeggios against melodies played softly by guitar/vocals combinations while simultaneously adding synth pads underneath providing depth so instead there are gentle crashes here and there indicating how far “delicate” the voice should sound through these lush arrangements making every song cycle smoothly into the next.

Support for your DAW and OS

Kush Audio Blyss is compatible with both Windows and OS X so you can use it on your DAW within either of those operating systems which is worth noting since many other mastering-style EQs are only for one or the other rather than both; when testing this plugin I had no issues whatsoever in terms stability (it didn’t crash once during my time using it) nor did I experience any sort of latency/audio artifacts even when increasing volume to maximum, overall Kush Audio Blyss has been optimized very well making it easy to recommend if we need a reliable solution that sounds great too.

The Verdict:

Blyss from Kush Audio delivers exactly what we want out of an analog equalizer providing us with six bands per channel each with three different styles/options allowing us to achieve the desired effect without too much effort. Although this plugin is not as powerful as other mastering-style EQs out there it still delivers an incredible sound that works well for both the mixing and mastering processes so I would definitely recommend checking Kush Audio Blyss equalizer whether you work in a studio or on stage.

Rating: Five out of five stars

Blyss is an enchanting, mystical journey through the stars that makes you feel like this may be where it’s all headed in that great beyond up above us waiting with open arms or maybe just pure silence until our last breath has left us, mortal enemies again then finally free from these burdens known as life and love and the heartache of having both. A 6-band EQ and mastering-grade Compressor is what you get with Kush’s new processor. Simpler than ever, it still has all of the classic processing features that make old school sound great!

Blyss’ Saturation is a unique color circuit that takes Kush’s best traits and makes them even better. The lushness of the previous version has been heightened with sensitivity to create an unforgettable experience, while still retaining rich tones when pushed hard or dipped in high volumes.

Mixing is a hard task to do right. One-stop shops are the way forward when you need all different kinds of products in one place so it’s easier on yourself and saves time!

- Advertisement -
REVIEW OVERVIEW
Review of Kush Audio’s Blyss EQ for Mastering with an Analog Vibe
Previous articleGet Ready For Black Friday – Music Producer And Sample Libraries Developer
Next articleTriple Spiral Audio’s Tonewood Guitar Soundset for Omnisphere 2