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Orchestral Dust by Channel Robot Review

Under Review today is Orchestral Dust by Channel Robot. This new Kontakt library Orchestral Dust is a dual voice ROMpler producing orchestral pads and under-score sounds.

Channel Robot did send a review copy with no strings attached. Channel Robot develops a range of software products for Producers, DJs, Musicians and Sample Library Owners. For Producers, DJs, and Musicians Channel Robot makes virtual instruments, normally as VST plug-ins. These mostly come with sample libraries as their sound sources. Channel Robot practice on virtual instruments is oftentimes different and always relevant and exciting. See also our Folio Bass 1.1 by Channel Robot Review


You need to authorize the library after purchase and save the library after you enter the authorization code. The library requires the paid version of Kontakt 5.8.1 (Not the free Kontakt Player). There are snapshots included, you need to copy them into the normal snapshot folder for your Kontakt sampler.

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Orchestral Dust by Channel Robot Authorization starting


Orchestral Dust uses the latest version of their innovative granular engine called AGRA. With this engine, you can produce sounds utilizing granular synthesis to deliver amazing absolutely distinctive and novel orchestral pads and under-score sounds. To generate these pads 12 distinct sampled orchestral instruments using different articulations and ensemble sizes. You can select in the library these different instruments and the articulation that matches fully your demands.

Orchestral Dust by Channel Robot Gate Tab

Instruments recorded and samples and part of the Kontakt Sampler are Bassoon, Cello, Clarinet, Contra Bass, Flute, French Horn, Oboe, Trombone, Trumpet, Tuba, Viola, and Violin. Most with a large ensemble, small ensemble & solo, and their particular articulations. In total above 1600 audio files have been used as source material for the Orchestral Dust granular engine.

The sound this library produces reminds me of a mixture between a phrase library and texture/pad engine, several resulting sounds do speak to me and can be used. When I discovered a very odd one I just continue experimenting as it did not fit what I was after at the time. To make up your mind if this is a library for you should listen to their included run through in this article.

User interface & Usability

Using Orchestral Dust is straight-forward. You select the instrument and articulation for each voice at the top or alternative start with a preset. Next, you start experimenting with the pad by changing the different Filter, gates, and steps.

Orchestral Dust by Channel Robot Main UI

The UI is easy to use, the developer Orchestral Dust made several synthesis controls, like Attack, Release, and filters, and in addition further tools available to shape the sound. The Ui also grants you access to effects tracks and gates. You can use up to four send effects rack, four convolution spaces for each voice, Overhead, Room, Studio, and Hall.

Orchestral Dust by Channel Robot Effect Tab

Rating:  Four out of five stars

Orchestral Dust is a beast to create unique evolving lively sounds for your orchestral underscore. Some sounds did remind me of certain blockbuster which only speaks to the quality of results this library can produce.

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